The most important part to drawing any character is to observe what real people do and how they use thier bodies to act out certains emotions. Watching movies, etc. is a good start. Watching the Simpsons is a good reference point because it's all about real life acting. You wouldn't think it but homer moves more like a real human than you think. Another important factor, in animation especially, is that no character should be standing straight up and down. No one in real life does it either, even army kids don't stand completely up and down, their backs are slightly arched.
The one thing that will really bring your drawings to life is the 'line of action' or the imaginary line that dictates how the body will move. You can also think of it as the back bone of a character. This line should always be used in setting up a pose, as you can see in the pic I posted, I get a wide range of emotions with no faces using only their bodies. When all else fails, get up and see how your body bends and shapes when trying to act out emotions. Think to yourself, "how would I be if I just hit a dog with my bike?" or, 'What are different ways I can clap?"
I think the one thing I see the most with people learning to draw is they jump into the details too quickly. They want to get the facial expression and details of the face before establishing the body. I suggest doing what I have done and fill up some pages of thumbnail sketches portraying as many expressions as possible. The body language should always come first, the face just backs it up.
I hope this will help a lot of artists on DA, I watch too many artists that don't have enough expression and seem too damn stiff... some of them are on the front page =___=
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Quitters never make it far in life, but those who never try are even worse off.
This is a big problem I have. :<
All of my drawings are of people standing around, and I get really frustrated that poses and expressive actions don't come naturally to me when I'm sketching.
I always draw the face before I draw the body, and it's tough for me to fit faces into empty heads and have it look satisfactory.
Thanks for uploading this, it's something I'm eager to practice. >: O
Is cool! sometimes I center myself so much in the expression that I forget the importance of body language, thank you for reminding me, I think this is gonna be very useful
We want to know what love means to you!
Get your creative juices flowing and design a movie poster for "Paper Heart" that focuses on the theme "What Does Love Mean to Me?".
The butter legion- a socialist movement/mass colab project I started, to trigger artistic change and evolution in Da artists (mainly my watchers), to make them more active and dedicated on DA. Now 170 people strong and growing... A "dangerous cult"? a "new religion"? "artistic version of fight club" or "communist movement"? You decide!
Hello there! This news article is the result of a thumb share thread I posted few days ago on the dA forum along with pictures from my favorites. I hope you enjoy them.
When it comes to community spirit, `Rushy is a shining example. From participating in devmeets, to providing positive encouragement to other artists, `Rushy can always be found demonstrating what it really takes to be a true deviant. It's without any hesitation that we are delighted to award the Deviousness Award for July 2009 to `RushyRead More
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Quitters never make it far in life, but those who never try are even worse off.
Stop complaining and do something about it.
All of my drawings are of people standing around, and I get really frustrated that poses and expressive actions don't come naturally to me when I'm sketching.
I always draw the face before I draw the body, and it's tough for me to fit faces into empty heads and have it look satisfactory.
Thanks for uploading this, it's something I'm eager to practice. >: O
Probably because you taught me a thing or two with all these little persons and theiur poses.
Thanks a lot!
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